IIARD International Institute of Academic Research and Development

INTERNATIONAL JOURNAL OF RELIGIOUS AND CULTURAL PRACTICE (IJRCP )

E-ISSN 2579-0501
P-ISSN 2695-219X
VOL. 9 NO. 4 2024
DOI: 10.56201/ijrcp.v9.no4.2024.pg149.165

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Stylistic and Interpretative Considerations in The Work Scaramouche for Saxophone and Piano by Darius Milhaud

Bogdan CONSTANTIN, Doru ALBU

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Abstract

Saxophone is an atypical musical instrument, as it is one of the few instruments used in all music genres. In France it is granted a double identity, situated at the boundary between classical music and jazz, although it is the instrument that lends itself to all existing forms of classical and folk music. Thus, it passes through: late romanticism, impressionism, neoclassicism, atonal music, serial music, expressionism, contemporary music, jazz, pop, rock, punk, folk music. It was precisely this plurality that ensured the popularity of the saxophone (Berendt , 1963).

keywords:

saxophone, France, atypical, jazz, identity

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References:

1. Bartolozzi, B., (1967). New sounds for woodwinds, Oxford University Press
Berendt, J. E., (1963). Le jazz des origins à nos jours, Petite bibliothèque Payot, Paris
Delage, J. L., (1992). Adolphe Sax et le saxophone: 150 ans d'histoire, Josette Lyon, Paris
Fennell, F., (1954). Time and the Winds, Leblanc Publications, Brussels
Grove, G., (1954). Grove’s Dictionary of Music and Musicians, 5th Edition, New York: St.
Martin’s Press
Londeix, J.M., (1989). Hello! Mr. Sax, Alphonse Leduc & Cie, Paris
Rorive, J. P., (2004). Adolphe Sax Inventateur de genie, Editions Racine, Bruxelles
https://www.saxontheweb.net/threads/milhaud-scaramouche.19517/

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